从中国扬琴的特殊表现手法看扬琴的发展轨迹  

To Observe the Development of Yangqin From Its Special Representation Technique

作　　者：解骏[1] 

机构地区：[1]武汉音乐学院附中

出　　处：《黄钟（武汉音乐学院学报）》2005年第1期110-117,共8页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：文章从分析扬琴特色技法、音色变化的角度出发,阐述扬琴中国化过程中的某些规律和特点,论述扬琴在演变过程中,遵循着由“形似”到“神象”的发展轨迹。From the viewpoint of analyzing individual technique and mutative timbers, the article expatiated some rules and features of Yangqin in the progress of Chinoiserie, and the writer pointed out that in the improving process, the Yangqin developing was following the trace from similar in shape to alike in spirit.

关 键 词：扬琴 线性技法 音色 

分 类 号：J632.51[艺术—音乐]