原始文化中的二元逻辑与史前考古艺术形象  

Dual Logic in Primitive Culture and Artistic Figures in Prehistoric Archaeology…

作　　者：汤惠生 田旭东[2] 

机构地区：[1]青海省文物考古研究所,西宁市810007 [2]中国社会科学院研究生院历史系,北京市100102

出　　处：《考古》2001年第5期48-59,共12页Archaeology

摘　　要：Using the theory of dual opposites, the present paper studies archaeological data incombination with early man's thinking and ideas. From the angle of Shaman cosmogony, the thought ofdual opposites and their cultural concepts, its puts forward new interpretations on numerous commonly-seen designs, such as the depiction of a bird pecking a fish, tao-tie mask, hooked-cloud pattern, birddesign, human face design, and the depiction of the Royal lord of the East and the Royal lady of theWest. Furthermore, the author summarizes the three developmental stages of dual logic and the significance of the thought of dual opposites in primitive culture and prehistoric archaeology.Using the theory of dual opposites, the present paper studies archaeological data in combination with early man's thinking and ideas. From the angle of Shaman cosmogony, the thought of dual opposites and their cultural concepts, its puts forward new interpretations on numerous common- ly-seen designs, such as the depiction of a bird pecking a fish, tao-tie mask, hooked-cloud pattern, bird design, human face design, and the depiction of the Royal lord of the East and the Royal lady of the West. Furthermore, the author summarizes the three developmental stages of dual logic and the signifi- cance of the thought of dual opposites in primitive culture and prehistoric archaeology.

关 键 词：史前考古 原始文化 艺术形象 

分 类 号：K871[历史地理—考古学及博物馆学]