南音唱腔社会审美的时代性差异  

Different social tastes of Nanyin's Changqiang in different eras

作　　者：张兆颖[1] 

机构地区：[1]福建师范大学音乐学院,福建福州350007

出　　处：《福建师范大学学报（哲学社会科学版）》2005年第1期86-88,119,共4页Journal of Fujian Normal University:Philosophy and Social Sciences Edition

摘　　要：南音千百年不断变化发展的流传与传承反映了不同时代、社会历史文化背景下人们审美价值取向、审美观的变化与发展。清末民初至今南音唱腔从以男性唱腔为主到以女性唱腔的转变、现今革新性唱腔与传统性唱腔的并存反映了不同历史条件下社会审美的时代性差异。With thousands of years development and inherent, Nanyin has recorded the transformation and development of artistic value and taste in different eras under different social culture background. From the end of Qing Dynasty, the beginning of ROC era, Nanyin's major Changqiang has experienced a big transformation from virile to feminine tune-pattern, which currently exists innovatory and traditional styles. We can read the interesting and different social tastes from every step of transformation.

关 键 词：南音唱腔 男性与女性声腔 革新性与传统性唱腔 

分 类 号：J607[艺术—音乐]