革命与农民文化立场的内在矛盾——赵树理20世纪40年代小说创作的另一种解读  

The Internal Conflict in Narrating Matrilineal Theme and Revolution--A New Reading of ZHAO Shu-li' Novels in the 1940s

作　　者：王力[1] 

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《南京师大学报（社会科学版）》2005年第1期124-128,150,共6页Journal of Nanjing Normal University(Social Science Edition)

摘　　要：赵树理20世纪40年代的小说创作,努力将象征丰富的故事母题、民间文化心理和现代政治观念融合为一体,但是这几者并没有完全水乳交融,存在着多方面的不和谐现象:民间文化思维与现代政治观念互为故事的"外壳"和"内核";"问题"被反复叙述的焦灼;"大团圆"结构模式对"鲁迅笔法"的消解。其中的冲突反映了创作主体的特殊矛盾心理,形成了作品内部的解构基因。ZHAO Shu-li' novels written in the 1940s showed his endeavor to incorporate the mother theme of abundant symbols into folk culture mentality and modern politics concepts through narration, but these elements were not in complete harmony. Such disharmony between folk thoughts and modern politics faith was like the narrative nucleus and shell, as demonstrated by the anxiety of narration and the happy ending pattern, a genre without any trace of LU Xun's style which is embodied in conflict and antimony, a mirror of the writer's conflicting mind, and which in turn gives birth to the disorganized genre in his writing.

关 键 词：母题 大团圆 “鲁迅笔法” 

分 类 号：I207.42[文学—中国文学]