《紫罗兰》都市叙事中青年男女形象的现代性剖析  

An Analysis of the Modernity of the Youth Image Presentedin the Metropolitan Narratives of Violet

作　　者：博玫[1] 

机构地区：[1]复旦大学新闻学院博士后流动站

出　　处：《南昌大学学报（人文社会科学版）》2004年第6期101-105,共5页Journal of Nanchang University(Humanities and Social Sciences)

摘　　要：1925—1930年代上海主体文化最明显的特征,应该是"现代性"在上海的本土化演绎。报刊作为城市文化的物质形态(载体和媒介)之一,在传承城市文化中地位尤为重要。上海大东书局出版的《紫罗兰》是流行于20世纪二三十年代的都市时尚期刊中的佼佼者,这份杂志通过其作品内容的创作和人物塑造,叙述并展示了上海主体文化的这一特征。In the 1925—1930s, the most distinctive character of the main-stream culturein in Shanghai was the locally interpreted modernity. As one of the material forms of the city culture, newspapers and magazines are playing a particularly important role in carrying forward city culture.Violet was a popular magazine at that time. It manifests the character in the main-stream culture in Shanghai by fictions and characters in the magazine.

关 键 词：《紫罗兰》 现代性 欲望空间 “新女性” 

分 类 号：I106.9[文学—世界文学]