《小泥车》的叙事艺术  

The Narrating Technique in The Little Muddy Vehicle

作　　者：王鸿博[1] 王华[2] 

机构地区：[1]天津师范大学文学院，天津300073 [2]南开大学汉语言文化学院，天津300073

出　　处：《株洲师范高等专科学校学报》2005年第1期93-96,共4页Journal of Zhuzhou Teachers College

摘　　要：印度古典梵剧《小泥车》具有明显的叙事性：编剧方面追求叙事性与戏剧性的平衡；无论是对白、独白还是幕后语都有叙事性存在；舞台表演程式化，在序幕和舞台提示语中也有叙事手段的运用，演员能自由跳出角色与观众进行叙事交流。同时，该剧也不排斥戏剧性，叙事性与戏剧性并重。The Indian classical Sanskrit drama,The Little Muddy Vehicle , is characterized by the art of narrating. The dramatist kept a balance between narrative and dramatics; Narrative exists not only in dialogues and monologues but also in asides. In the stylized stage performance, narrative is applied to prologues and prompts, which leads to easy interaction between performers and audience. At the same time, equal attention is paid on the dramatic aspect of the drama.

关 键 词：印度 梵剧 《小泥车》 叙事性 

分 类 号：I13[文学—世界文学]