程迥《古韵通式》及古音说通考  

On Cheng-Jiong’s Guyun-Tongshi and its Ancient Phonology Theory

作　　者：张民权[1] 

机构地区：[1]北京广播学院文学院,北京100024

出　　处：《语言研究》2005年第1期78-81,共4页Studies in Language and Linguistics

基　　金：国家社科基金项目"吴棫<诗补音>与宋代古音学研究"(01BYY018)

摘　　要：宋代学者程迥,著《古韵通式》一书,从《文选》中摘出五十余例古诗文协韵的例子,总结出古人诗文协韵的方式,所谓“四声互用,切响通用”,与吴棫古韵通转说相呼应欢?关于“切响”问题后人误解者甚多,至今无确解。本文立足于文献考证,对“切响”问题着重进行了考释,可澄清其中一些是非问题。The Song Dynasty(宋代) scholar Cheng-Jiong(程迥) wrote Guyun-Tongshi(古韵通式). He extracted fifty rhyming words from the Wenxuan(文选) and sum up its rhyming regulation in ancient poetry: four tones in classical Chinese may mutual use and the same initial consonant of rhyming words can common use(四声互用, 切响通用).It echo each other from Wu-Yu(吴棫) theory of ancient phonology. However, Cheng-Jiong’s theory and his book contend didn’t know or misunderstand .There is a importance study about Cheng-Jiong in this article and may clarify some basic facts.

关 键 词：程迥 《古韵通式》 四声互用 切响通用 反切取韵 

分 类 号：H114[语言文字—汉语]