中西戏剧艺术的渗透与融合——试析欧阳予倩《潘金莲》的独特艺术风貌  

The Interaction and Combination of Original Chinese Opera and Western Drama:The Special Artistic Character of Ouyang Yuqian's 《Pan Jinlian》

作　　者：苏永莉[1] 

机构地区：[1]南京大学中文系,江苏南京210093

出　　处：《艺术百家》2001年第2期6-11,共6页Hundred Schools In Arts

摘　　要：二十世纪初的中国戏剧舞台上 ,中西方戏剧样式相互碰撞、相互浸染 ,杰出的戏剧艺术家如欧阳予倩尝试着汲取多种艺术样式丰富中国戏剧舞台 ,他的五幕话剧 潘金莲 开京剧演员和话剧演员同台演出的先河 ,并以京剧和话剧样式轮番演出 。In the early twentieth century, original Chinese opera and western drama, the two different dramatic style, appeared together and interacted with each other on Chinese dramatic stage. The excellent dramatist, such as Ouyang Yuqian, tried to use a variety of artistic styles to enrich Chinese dramatic stage. His five acts spoken drama 《Pan Jinlian》, the first play which was acted by both Peking opera performers and spoken drama performers, acted in both Peking operatic style and spoken dramatic style, showed off special artistic character.

关 键 词：中西戏剧 艺术特色 艺术融合 

分 类 号：J805[艺术—戏剧戏曲]