后现代欲望叙述的解构特征与当代文学的转型  

Deconstructional characteristics of the postmodern lust depiction and the transformation of con-temporary literature

作　　者：伍方斐[1] 

机构地区：[1]广东外语外贸大学,广州510420

出　　处：《广东外语外贸大学学报》2005年第1期64-67,75,共5页Journal of Guangdong University of Foreign Studies

摘　　要：欲望叙述是当代中国文学叙事和文化重建的重要内容。针对新时期主流文学在欲望叙述上的总体的乌托邦取向和“附魅”化的话语转移策略,以先锋文学为代表的中国后现代主义文学话语主要从解构维度对欲望进行重新叙述。对主体、真实、意义等元叙事要素的解构,成为后现代叙事为欲望“祛魅”的基本策略,它开启了“后新时期”尤其是90年代文学面对欲望、回到当下的范式转型。Lust depiction is a very important component in contemporary literary narration and cultural reconstruction. With reference to mainstream literature therein lie the general utopia-oriented lust depiction and the “enchanting” discourse shifting strategy, the postmodern literary discourse represented by the so-called pioneering literature attempts a restatement of lust mainly from a deconstructional dimension. Consequently it has been a basic “disen- chanting” strategy for postmodern narratology to deconstruct meta-restatement of elements such as main body, reality, meaning, etc., which turns on a “post new-era”, especially when literature had to face lust and the recur- rence of the transformation of patterns in the 1990s.

关 键 词：叙述 欲望 叙事 解构 当代文学 先锋文学 当代中国文学 转型 转移策略 要素 

分 类 号：F832[经济管理—金融学] I206[文学—中国文学]