婆薮仙与鹿头梵志  

The Images of Vasistha and Mrgasirsa

作　　者：王惠民[1] 

机构地区：[1]敦煌研究院考古所,甘肃敦煌736200

出　　处：《敦煌研究》2002年第2期64-70,共7页Dunhuang Research

摘　　要：北朝至初唐的中国佛教造像 ,一度流行婆薮仙、鹿头梵志图像 ,现存的造像碑、金铜像和若干石窟中都可以见到。敦煌壁画中的婆薮仙、鹿头梵志图像是在北魏、西魏、北周、隋、初唐时期 ,共 2 9组 ,本文通过考察 ,将它们分为三个发展阶段 ,并考证其经典依据和分析其所体现的佛教教义。Among the creative Buddhas' images in Chinese Buddhism, the image of Vasistha and Mrgasirsa were the images once popular from person to person during Northern Dynasties to the Early Tang Period. It is not strange to find the two images in some existent Buddhist steles?sculptures in copper and in several sites of Buddhist Temple Caves. At Mogao Grottoes, from caves dated from Northern Wei?Western Wei?Northern Zhou?Sui and the Early Tang Dynasty, there are 29 portraits of them appeared in a pairs. By a comprehensive investigation, the study of the two images shows there are three phrases of development of the image of Vasistha and Mrgasirsa. This article tries to verify textual basis and approach to a point of what Buddhist religion dogma embodied in the two images.

关 键 词：:婆薮仙 鹿头梵志 外道 

分 类 号：K879.21[历史地理—考古学及博物馆学]