江文也早期钢琴音乐创作的现代技法  

Modern Technique of Jiang Wenye's Early Piano Music

作　　者：王文俐[1] 

机构地区：[1]青岛大学师范学院音乐系,讲师青岛266071

出　　处：《黄钟（武汉音乐学院学报）》2001年第2期43-47,共5页Huangzhong:Journal of Wuhan Conservatory of Music

摘　　要：江文也是我国较早从事钢琴音乐创作的作曲家 ,也是我国较早运用西方现代作曲技法的作曲家。江文也的早期钢琴音乐创作中的现代技法 ,主要表现在非三度叠置和弦与非 (调性 )功能的和声连接逻辑、作为调式综合与调性重叠的多调思维、横向和纵向的多节拍等方面。Jiang Wenye was one of the first composers in China to wrote out piano music and use the modern Western composition techniques. His use of modern composition techniques in his early piano work is most apparent in his use of non tertian harmony, his non functional chord progressions, his polytonal and mixed modal tonalities, and polyrhythmic. Most of the techniques listed above are found in Neo Classic and Impressionist music.

关 键 词：江文也 钢琴音乐 现代技法 

分 类 号：J614[艺术—音乐]