宋初词学思想探微  

An Investigation into the Fine Ideas of the Ci-poetics in the Early Song Dynasty

作　　者：徐安琪[1] 

机构地区：[1]华中科技大学中文系

出　　处：《文学遗产》2002年第4期49-56,共8页

摘　　要：宋初五十余年的词坛虽然处于一种相对沉寂的状态 ,但宋词的风貌已初露端倪 ,词学思想亦在萌芽。本文通过对当时的词作及有关材料进行辨析 ,认为此时期的词学思想主要表现在三个方面 :即诗词一体的词体观 ,蕴藉清远的审美理想以及对盘泊的创作心态的追求。此时的词学思想虽然还不具有缜密的理论形态 ,却不乏真知灼见 ,是苏轼以诗为词理论之先导。In the first fifty years of the Song Dynasty, the Ci?poetic circles were relatively silent, but the style of Ci-poetry was brought into being, and the ideas of Ci?poetics were also sprouting. The text examines the production of Ci-poems at that time and the related materials and arrives to the following conclusion: that the ideas of the Ci-poetics in this period were represented in three aspects as follows: Ci-poetry, as a type of poetry, had come into being; a subtilized and far-reaching aestheticism was making its way onward; the creative mental states of pursuing coolness and tranquility were not seldom seen at that time. Although the ideas of the Ci-poetics then had not taken the form of a refined and deliberately-worked theory, they consisted of a great deal of profound insights, which was the prelude of Su Shi's theory of melting the principles of poetry into the Ci-poetry.

关 键 词：词学思想 以诗为词 词体 词作 创作心态 宋词 苏轼 宋初 风貌 探微 

分 类 号：I207.23[文学—中国文学] K244[历史地理—历史学]