论我国文学形态与观念的历史嬗变  

The Historical Evolution of Chinese Literary Formation and Idea

作　　者：张炯[1] 

机构地区：[1]中国社会科学院文学研究所,北京100732

出　　处：《北京工业大学学报（社会科学版）》2001年第2期50-55,共6页Journal of Beijing University of Technology (Social Sciences Edition)

摘　　要：不同文学观念的形成,不仅基于人们对文学形态的认识,还与人类对世界万物的认识息息相关。文章分析了我国文学形态与观念的历史演化过程,阐述了20世纪我国文学从内容到形式,从性质到形态,从生产到消费等诸多方面所产生的广泛而深刻的变化,从而揭示出正是由于这种变化,才使我国文学终于从古典走向了现代,完成了从旧文学到新文学的划时代的历史转换。The formation of different literary ideas, is not only based on what people think about the literary formation, but also closely linked with what mankind think about all other things on earth. The article analyses the historical evolution of Chinese literary formation and idea, elaborates the wide and deep change of Chinese literature during the 20th century from ideological content to artistic form, from literary character to literary formation and from production to consumption, etc, and thereby, reveals that just because of this change the Chinese literature has eventually realized the epoch-making historical transformation from classic to modern, i.e. from the old literature to the new one.

关 键 词：文学形态 文学观念 演化 转换 

分 类 号：I206[文学—中国文学]