乔伊斯的文学实验精神在小说整体布局中的体现  

The embodiment of Joyce's literary practice in the overall arrangement of the novel

作　　者：金梅[1] 

机构地区：[1]北京邮电大学语言学院,北京100876

出　　处：《北京邮电大学学报（社会科学版）》2005年第1期58-61,共4页Journal of Beijing University of Posts and Telecommunications(Social Sciences Edition)

摘　　要：爱尔兰著名作家詹姆斯·乔伊斯在其文学作品创作过程中始终追求艺术形式的创新。作为20世纪初现代主义文学倾向的代表人物,乔伊斯在小说《一个青年艺术家的肖像》中大胆突破传统,以强烈的文学实验精神将其创作理论应用到实际创作中。以时间、意识和技巧为创作中心,生动展示了主人公斯蒂芬·迪达勒斯的现代精神气质。本文以其代表作小说《一个青年艺术家的肖像》为实例,旨在从两个方面展示乔伊斯的文学实验精神,即乔伊斯美学理论在实际创作中的应用以及其现代主义创作技巧在体现小说整体布局中的作用。James Joyce, a distinguished Irish writer, was in pursuit of the innovation of the literary forms in the course of the creation. As a representative of the literary trend-modernism in the early 20~th century, Joyce, with great intensity, challenged the convention and put his creative theories into literary practice in his masterpiece A Portrait of the Artist as a Young Man. Focusing on time, consciousness and writing techniques, Joyce vividly showed the modern qualities of the protagonist, Stephen Dedalus. In the essay, Joyce's literary practice is studied in two aspects, that is, Joyce's application of his aesthetic theory and the function of his modern creative techniques in the overall arrangement in the novel A Portrait of the Artist as a Young Man.

关 键 词：詹姆斯·乔伊斯 《一个青年艺术家的肖像》 文学实验精神 美学理论 

分 类 号：I207[文学—中国文学]