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作 者:滕明勇[1]
机构地区:[1]铜仁师范高等专科学校艺术系,贵州铜仁554300
出 处:《铜仁师范高等专科学校学报》2004年第4期27-29,共3页Journal of Tongren Teachers College
摘 要:现代雕塑摆脱了写实主义的束缚,摆脱了精确的比例和严格透视和羁绊,从单纯的模仿以及对物象的准确再现,走向以人为中心,寻求人与外界各方面联系,追求整体的和谐,以便通过联系创作价值并获得精神享受,这从根本上是一个观念的变革。The modern sculpture has got rid of the constraint of realism, and has shaken off the accurate proportion and stringent perspect. As far as the foltowing aspects are concerned, realism from simple imitation and accurately reproducing of objects toward the action with people as the centre, seeking the contact of people with the external world of various fields, pursuing the harmony on the whole in order to create value through the connection and obtain spiritual enjoyment. these are a fundamental change as for human notions.
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