敦煌版画的背景意义  

The Significance Background of A Study of Dunhuang Print Plate Matters

作　　者：马德[1] 

机构地区：[1]敦煌研究院文献研究所,甘肃兰州730000

出　　处：《敦煌研究》2005年第2期1-6,113,共7页Dunhuang Research

摘　　要：敦煌出土的佛教版画表现了佛教信仰的一种新方式,它与敦煌石窟艺术一脉相承,是敦煌艺术的组成部分之一,是科学技术与佛教艺术相结合的产物,在中国美术史和中国印刷科技史上都有十分重要的价值意义。These Buddhist paintings of print plate matters which are unearthed from The Hidden Library of Dunhuang at the site of Mogao Grottoes is a type of new way in presentation of the Buddhist belief. The Motif of these Dunhuang Print Plate Matters are as same as the Dunhuang Grottoes Art and they are served as an important part of Dunhuang Art. The art of Dunhuang Print Plate matters are outcomes of technical skill compiled well along with Buddhist Art in ancient Chinese art history. It has significant and great value in the study of Chinese Art history as well as the history of Chinese science and technography in the typography.

关 键 词：敦煌版画 佛教艺术 社会背景 

分 类 号：K879.21[历史地理—考古学及博物馆学] J217[历史地理—历史学]