如何获得持久的歌唱能力——论真声、假声、混声在歌唱中的运用  

How to Obtain a Permanent Singing Ability——On the Application of Chest Voice, Falsetto and Mixed Voice in Singing

作　　者：王秀敏[1] 

机构地区：[1]温州师范学院音乐学院,浙江温州325035

出　　处：《温州师范学院学报》2005年第1期91-94,共4页Journal of Wenzhou Teachers College(Philosophy and Social Science Edition)

摘　　要：真声、假声、混声是声乐界长期研讨的问题,纯粹地运用真声歌唱声音直且硬,音域窄,完全地运用假声演唱,又往往造成声音虚、假,中低声区下不来的“半个嗓子”歌唱现象,运用高位置的混声歌唱能让歌者自如地运用和控制声音,使声音具有“飞跃性”、“穿透性”,从而获得持久的歌唱能力。Chest voice, falsetto and mixed voice have always been a study subject in music. To sing purely by chest voice will make the sound straight and hard, with a narrow range. Singing totally by falsetto would make the voice weak and artificial, which may lead to 'half voice' blocked in middle and bass register. While applying mixed voice of high position, the singer could manage and control the voice smoothly and make the voice saltant and penetrating, which resulted in a sustainable singing ability.

关 键 词：真声 假声 高位置混声 

分 类 号：J616[艺术—音乐]