观念戏剧与现实主义——评萨特的《肮脏的手》  

Conceptual drama and realism——On J-P-Sartre’s Διρτψ Hαυδσ

作　　者：冉东平[1] 

机构地区：[1]广州大学人文学院,广东广州510405

出　　处：《广州大学学报（社会科学版）》2005年第5期53-55,92,共4页Journal of Guangzhou University:Social Science Edition

摘　　要：通过对《肮脏的手》的戏剧危局与戏剧悬念、悲剧性格与戏剧时空等方面的分析,评述了萨特观念戏剧回归现实、介入生活的美学倾向以及观念戏剧与现实主义相结合的艺术特性。This paper comments on the aesthetics phenomenon of Sartre's conceptual drama which are back to the reality and involved in the life from the perspectives of the play's dramatic dangerous situation, dramatic suspense, tragedy disposition and the concept of dramatic time and space. This play also has the artistic characteristics of combining the conceptual drama with realism.

关 键 词：戏剧危局 悲剧性格 戏剧时空 

分 类 号：I106.3[文学—世界文学]