唐代宫廷游戏中女性的男性气质——以王建宫词为中心  

作　　者：贺忠[1] 

机构地区：[1]复旦大学中文系,上海200433

出　　处：《兰州学刊》2005年第3期274-279,共6页

摘　　要：本文运用诗史互证的方法,从两首王建宫词的文本阐释出发,围绕着两首表现唐代宫廷游戏的宫词展开论述。以史证诗,订正宫词版本的正误;以诗证史,揭示出唐代宫廷游戏所具有的反串性质。通过诗史的互证,阐明这两首宫词的本义,凸现唐代宫廷文化与世俗风尚走向的内在联系。Based on the study of the two piece of poets of Wangjian, this article centers on the royal court games during the Tang Dynasty. Through the studying the historical materials which concerned about the six poets, the author tries to chose the right original text from those false ones; Through the studying the texts of the poets, the author tries to elucidate the significance of the character that the emperor and the maids in the imperial palace usually play a reverse role, especially against his(or her ) own status or genre, in the royal court games. So, this article offers a proper interpretation of two piece of Wangjian Gongci, which reveals the inner correlation between the court games and the trend of secular life during the Tang Dynasty.

关 键 词：王建宫词 宫廷游戏 反串 

分 类 号：I207.23[文学—中国文学]