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作 者:郭武群[1]
出 处:《天津大学学报(社会科学版)》2005年第3期208-211,共4页Journal of Tianjin University:Social Sciences
摘 要:津门这片艺术的沃土精心浇灌扶植了话剧这株外来的戏剧之花。如果说张伯苓亲自引进话剧并将其搬上了南开学校舞台的话,那么张彭春的贡献就是提高了话剧的艺术品位,使之更适合中国的国情。话剧从校园走向社会经历了艰难曲折的过程,天津话剧界同仁为此付出了心血和努力。20世纪30年代中期,天津话剧舞台呈现出好戏连台、人才荟萃的繁荣景象。Tianjin is a fertile soil of art,and irrigates a blos som of the exotic morden drama. Zhang Boling introduced morden drama and made it put on the stage of Nankai Middle School by himself, and Zhang Pengchun enhance d the art status of the morden drama, and made it more adapt to the of Chinese situation. The morden drama came through a difficult process from the school st age to society, and the Tianjin morden drama circles made painstaking effort. In the mid-1930s, there was a flourish phase on the stage of Tianjin morden drama .
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