数字化的哲学局限与美学悖论  

Philosophical Limitation of Digital Technology and Aesthetic Dialectics

作　　者：欧阳友权[1] 

机构地区：[1]中南大学文学院,长沙410083

出　　处：《北京大学学报（哲学社会科学版）》2005年第3期25-30,共6页Journal of Peking University(Philosophy and Social Sciences)

基　　金：国家哲学社会科学基金项目(批准号:02BZW006)。

摘　　要：对数字化技术的价值探析,需要有人文理性的意义维度,以廓清其与人类预设的文化命意和精神旨趣相协同的可能限度,即数字化技术方式背后的哲学局限与艺术美学悖论。前者表现为数字标准化对事物个性意义体认的限制,数字平面化对事物深度认知复杂性的限制和数字的知识化对意志自由的限制;后者则蕴含了数字虚拟与艺术真实、文学在线与文学性消散、个体中心与主体边缘、精神临场与身体缺席等方面的对立与统一。The exploration of the value of digital technology requires one to appreciate the significance of humanistic reasoning, and to clarify the possible restraint in combining cultural meanings with a spiritual goal by human effort, which indicates a philosophical limitation and aesthetics dialectics underpinning digital technology. Standard digital technology puts restraint on the realization of individual meanings. Digital plane limits the recognition of an object in its depth and complexity. Digital knowledge sets bondage on the free will of human beings. The dialectics consist of such contradictory opposites as digitally fabricated reality and artistic reality, literature online and literary dispersion, centralized individuality and marginalized subjectivity, spiritual presence and physical absence.

关 键 词：数字化 价值阐释 哲学局限 美学悖论 

分 类 号：B152[哲学宗教—世界哲学]