闲雅疏淡 散中有饬——汪曾祺小说《邂逅》艺术风格简论  

A Brief Discussion on the Artistic Technique of the Novelette A Chance Meeting of Wang Zeng-qi

作　　者：苏娟[1] 

机构地区：[1]国际关系学院学报编辑部,北京100091

出　　处：《华北电力大学学报（社会科学版）》2005年第2期102-105,共4页Journal of North China Electric Power University(Social Sciences)

摘　　要：《邂逅》写得和缓从容,散发着浓郁的绅士味道,作者眼中景、笔下情,不仅雅化了氛围、雅化了人物,还雅化了生活。并且,在作品的情调把握、精神追求和人物塑造上,都显现出作者闲雅冲淡、自然清逸的审美意蕴。在小说看似随便散淡的描写中,由于清晰的意识流结构、联想式蒙太奇手法以及精雕细刻的细节与场面描写的应用,又使整部作品呈现出杂中有序。A Chance Meeting is one of Wang Zeng_qi's same-title collection of novelettes published in 1940s. With reserved and refined rhythm,the whole passage is permeated with the graceful nature that belongs to a gentleman. Both the scenery described and the emotion demonstrated add elegance to the characters and their lives,high lighting the author's accomplished artistic techniques and aesthetic implication. Moreover,among all the random portrayal,an organizational pattern is unexpectedly introduced by the techniques of stream consciousness and montage's skills.

关 键 词：汪曾祺 《邂逅》 审美内蕴 艺术技巧 中国 小说 

分 类 号：I207.425[文学—中国文学]