许地山作品中的佛学意蕴及“陌生化”手法的运用  

Buddhist Meaning in Xu Dishan's Works and the Application of the Figure of Speech of “Strageness”

作　　者：伍丹阳[1] 

机构地区：[1]湖南交通工程职业技术学院

出　　处：《湖南广播电视大学学报》2005年第2期66-67,共2页Journal of Hunan Radio and Television University

摘　　要：由于家庭影响及个人经历,许地山对佛教有浓厚的兴趣,在他的许多作品中包含了丰富的佛学意蕴。这既表现在佛教题材、语汇和意象的使用,又表现为佛学义理在作品中的体现。从佛学这个特异的角度来表现生活,使读者耳目一新。这种“陌生化”手法,为其作品增添了无穷的魅力。Because of his family's influence and personal experience,Xu Dishan is interested in Buddhism and his works have rich Buddhist meaning.It is reflected not only in the usage of Buddhist material,language and image but in the expression of Buddhist ethics.His works show people's life from this angle,which makes us find everything fresh and new.This is the figure of speech of“strangeness”,adding boundless charm into his works.

关 键 词：许地山 佛学 陌生化 

分 类 号：I206.6[文学—中国文学]