20世纪90年代以来国内音乐形态研究概述  

Survey On Theoretical Research Approaches Of Composing Techniques Since 1990s At Home

作　　者：庄曜[1] 

机构地区：[1]南京艺术学院,江苏南京210013

出　　处：《南京艺术学院学报（音乐与表演版）》2005年第3期19-33,共15页Journal of Nanjing Arts Institute:Music & Performance

摘　　要：近15年来国内作曲创作实践和技术理论形态研究呈现出越来越多元的现象,使得研究方法在继承了传统研究方法的同时又有了相当的发展。本文以"实证、思辨及逻辑体系化"、"数理逻辑"、"西方现代音乐体系"、"比较研究"、"其它学科理论的交叉研究"五类研究方法,对这一时期国内的主要研究成果进行了归纳。其目的在于,明晰地了解和思考现代音乐研究和分析的现状及思维方式,促进深化研究,也希望通过理论研究直接对创作实践产生影响。In recent 15 years, studies on composing practice and technique theories diverse, which has enabled the research approaches to develop considerably while inheriting the tradition. This essay sums up the main research achievements at home during this period by using five research approaches: 'practice and verify, mental analysis and logical systematization';'mathematical logic';'western modern music system'; 'comparison research' and 'overlapping research of other subject theories'.The purpose is to comprehend clearly and reflect on the current situation and thinking modes of modern music research and analysis so as to promote research and also to expect direct affects on creation practice through theoretical research.

关 键 词：作曲技术理论 研究方法 音乐形态 

分 类 号：J604[艺术—音乐]