武德、贞观赋坛主流赋风沿革论  

Evolution of Mainstream Fu Style in the Wude - Zhenguan Era

作　　者：韩晖[1] 

机构地区：[1]广西师范大学中文系,广西桂林541004

出　　处：《南京师范大学文学院学报》2005年第2期117-124,共8页Journal of School of Chinese Language and Culture Nanjing Normal University

摘　　要：初唐武德、贞观赋坛,以唐太宗为首的十九位宫廷赋家为主流,他们创作的赋在题材、技巧、体式、词采上对南朝宫廷赋有所继承,但在情志、文思、格调上多有创新,主要表现在三方面:一是革除了南朝赋作的绮艳追求;二是显示出了刚直古拙之气;三是有了流畅壮大的情思。In the Wude-Zhenguan era of early Tang Dynasty, the TangTaizong-led nineteen court fu writers do not merely inherit the court-style fu tradition of the Southern Dynasty in subject matter, technique, genre, and diction; rather, they show their innovations in sentiment and aspiration, literary thread of thought, and style. These are embodied in three aspects: The elimination of the pursuit of glamour in the Southern Dynasty fu works; expression of a resolute, upright, and primitive air; and emission of free ~ flowing and majestic feelings and thoughts.

关 键 词：武德、贞观赋坛 主流赋风 沿革 

分 类 号：I206.2[文学—中国文学]