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作 者:顾笑瑜[1]
出 处:《安阳师范学院学报》2005年第3期90-92,共3页Journal of Anyang Normal University
摘 要:近百年来,中国人民接受外来钢琴文化这一种子,播种在自己独特的民族传统文化土壤里,从五四新文化运动中国早期钢琴音乐的孕育与诞生,到四十年代多种题材风格的钢琴音乐创作,到改革开放以来钢琴音乐创作的多元化时代,经过几代作曲家辛勤努力的创作实践,把西方音乐遗产同本民族的音乐文化传统相结合,从中国民族性的音韵中提炼出精华,从传统中演化出中国音乐的新语言,创作出一大批具有浓郁中国民族风格和超载传统音乐范畴的优秀中国钢琴作品。The article expounds the development of Chinese piano music in the past century:the growth of the seeds of foreign piano culture in the soil of Chinese traditional cultrure. During the several historic periods from the “May Fourth” New Culture Movement to the Opening and Reform Period, Generations of Chinese musicians have strived to combine the legacy of the Western music with Chinese traditional music culture, extracting essence from the rhyme and rhythm of traditional Chinese piano. Works of excellence have been created, which have characteristic of strong Chinese national styles yet has transcend the scope of traditional Chinese music. The polyphonic superiority of the piano is fully used to manifest the romantic charm of the Chinese culture.
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