20世纪30年代中国电影历史叙述的再认识  

Rethinking of Historical Narratives of Chinese Film of the 1930s

作　　者：叶宇[1] 袁莉[2] 

机构地区：[1]北京大学艺术学系,北京100871 [2]四川师范大学文学院,四川成都610068

出　　处：《湛江师范学院学报》2005年第4期92-95,共4页Journal of Zhanjiang Normal College

摘　　要：20世纪30年代的中国电影具有复杂的生态环境和发展态势,“发展期中国电影”是对这一时期的中国电影进行历史叙述最准确的概念。这一名称和理念的确立有利于对此阶段的历史分期问题做出判断,是我们回归30年代电影本身的重要依据;“新兴电影运动”是描述30年代中国电影运动的基本出发点,但是其自身还应该有更为全面的内涵和外延;“发展期中国电影”始终具有鲜明的商业成色,经济因素在“新兴电影运动”中扮演着异常重要的角色。Chinese film in the 1930s had complicated environment and trend of development, with the concept of “Film of the Developing Period”as the most accurate surmmary of its historical narratives. The establishment of this name and concept is the important basis for us to return to the film of the 1930＇ s. The term “New Film Movement”is the starting point in our description of the Chinese film movement in the 1930＇s though it should have a more comprehensive intension and extension. “Film of the Developing Period”always had a very clear commercial nature, and economic factors played a very important role in the “New Film Movement”.

关 键 词：发展期中国电影 新兴电影运动 左翼电影 

分 类 号：J902[艺术—电影电视艺术]