林语堂与晚明小品  

Lin Yu-tang and the late Ming Dynasty-styled essays

作　　者：崔良乐[1] 

机构地区：[1]安阳师范学院,河南安阳455002

出　　处：《平顶山学院学报》2005年第4期43-46,共4页Journal of Pingdingshan University

摘　　要：林语堂在20世纪二三十年代大力提倡晚明小品,可分为三个阶段:前期偏重文体研究,着眼于为白话文探索一种轻松自由的语言范本;中期主编《论语》,强调晚明小品折射出的悠然闲适、平和冲淡的人生态度,以此作为传播西方“幽默”理想的手段;后期面对激烈的社会革命,民主自由理想的破灭,他的人生观亦趋保守,转而把小品文作为自己独善其身的精神园地。林语堂推崇晚明小品并不只是为了复兴一种古代文体,而是根据时代与社会的变化对其进行了新的解读与阐释,将其作为寄寓人生理想的工具和载体。林氏小品对于民族、阶级矛盾尖锐的现代中国自有其消极影响,但却推动形成了“闲话”体这一新的散文艺术风格。Lin Yu-tang vigorously advocated the late Ming dynasty-styled essays during 1920-1930s,which was divided into three periods： in the first period, Lin focused on the study of literary forms aiming at exploring an easy and free language model for modern Chinese; in the second period, he founded the magazine, Analects which stressed an carefree, leisurely and moderate life attitude reflected in the late Ming essays which were used as an ideal tool to spread the Western “humor” ;in the third period, facing the radical social transform, and the ruin of his ideal democracy and freedom, he turned to be conservative. Thus, he used essays as his spiritual land to perfect himself. Lin Yu-tang advocated the late Ming essays not just because he used it to rejuvenate the classical style, but because he tried to make a new explanation of it according to the change of times and society, and used it as the tool and carrier for the life ideal. Although Lin＇s essays have a passive effect on contradictory modern China,it forms the chat style,a new artistic style of prose.

关 键 词：林语堂 晓明小品文 幽默 性灵 

分 类 号：I206.6[文学—中国文学]