清初遗民戏曲文学研究  

Study on Traditional Dramas Created by Adherents of Ming Dynasty in Early Qing Dynasty

作　　者：张宇[1] 

机构地区：[1]黑龙江工程学院党委宣传部,哈尔滨150050

出　　处：《文化艺术研究》2010年第3期126-149,共24页Studies in Culture and Art

摘　　要：本文以明末清初的遗民戏曲文学作品为核心,将其置于戏曲史的大环境下加以考察,主要从遗民戏曲作家的生存背景、创作状况等方面,审视其作品的成因。通过丰富的戏曲元素、精湛的技巧、特殊的意象、优雅的曲词、多样的题材,以及犀利的现实指向,解读遗民戏曲作品中彰显的时代特征与文化特征,从而将遗民戏曲文学作为一个特殊时代的特殊文化现象加以考量。通过对戏曲文本和作家创作手段的分析、梳理,客观评价遗民戏曲创作在清代乃至中国古代戏曲史上的特殊贡献。This paper focuses on Chinese traditional dramas created by adherents of the Ming Dynasty in the early Qing Dynasty and analyzes reasons for the production of those works by studying the living environment and creative situation of the writers in a larger context of history.With an interpretation of cultural characteristics of the time including the dramatic elements such as abundant factors of Chinese traditional operas,refined techniques,special images,delicate tunes and lyrics,diverse subjects and sharp orientation toward reality,the paper considers those works as a unique cultural phenomenon in a special age and give an objective evaluation of its contribution to Chinese ancient history of traditional dramas after carding texts and artistic techniques in writing.

关 键 词：清初遗民 古代戏曲史 文学研究 Qing DYNASTY Ming DYNASTY Traditional 戏曲作品 特殊文化现象 戏曲创作 戏曲作家 戏曲文本 文学作品 文化特征 特殊贡献 时代特征 生存背景 明末清初 客观评价 创作手段 大环境 

分 类 号：J8[艺术—戏剧戏曲]