论敦煌乐谱的记谱法  

On Notation of Dunhuang Musical Scores

作　　者：陈应时[1] 

机构地区：[1]上海音乐学院音乐学系,上海200031

出　　处：《文化艺术研究》2010年第5期81-92,共12页Studies in Culture and Art

摘　　要：20世纪初在敦煌莫高窟发现了法国伯希和编号为P.3539、P.3719、P.3808三卷遗书中存留的敦煌乐谱,据学者考证,它们是一千多年前唐、五代时期留下来的琵琶古谱。自日本学者林谦三在平出久雄协助下于1938年发表《琵琶古谱之研究》对P.3808敦煌乐谱进行解译研究起,迄今已有七十多年的历史了。本文在前人研究的基础上,从敦煌乐谱的谱式、敦煌乐谱二十谱字的音高、敦煌乐谱的节拍节奏符号、敦煌乐谱的其他记谱法等方面来探讨其所用的记谱方法,并对此谱的后续研究提出看法。At the beginning of the 20th century,Dunhuang musical scores were found in the Mogao Grottos at Dunhuang,which were later marked as P.3539,P.3719 and P.3808 in the three volumes of posthumous papers left by Paul Pelliot.According to the previous textual research,the scores are the ancient pipa(a plucked string instrument)scores passed down one thousand years ago from the Tang Dynasty and Five Dynasties.Since 1938 when the Japanese scholar Kenzo Hayashi interpreted the score P.3808 in his published work Stud...

关 键 词：敦煌乐谱 记谱法 琵琶古谱:林谦三 

分 类 号：J609.2[艺术—音乐]