二十世纪九十年代小说人性叙写的极端化与符号化  

The Extreme Semiotization of Characters in the Novels of 1990s

作　　者：管宁[1] 

机构地区：[1]福州大学人文社会科学学院,350002

出　　处：《文艺研究》2005年第8期22-29,共8页Literature & Art Studies

摘　　要：本文认为,先锋小说在人性描写上表现出的虚拟特点,在审美上已显露出极端化的倾向;莫言及部分女性作家的写作,也在不自觉中体现出人性描写的极端化倾向,这种倾向在媒体的炒作下,具有了符号化特征;而“新新人类”与“新生代”作家们,则完全将人性描写符号化。这一趋向的形成,与文学所置身的消费文化语境和传媒的话语霸权密切相关。This paper holds that the avant-garde novels have displayed their virtualized characteristics in humanistic descriptions, and have gone extremes in their aesthetic representation. This can be seen in Mo Yan and some female writers whose extreme characterization of humanity has become signs under the propaganda of media, while the New Neo-humanity writers are completely semiotizing the humanity descriptions. This new trend is closely connected with the context of consumer culture and the discursive hegemony of media in which literature situates itself.

关 键 词：二十世纪九十年代 小说 人性描写 极端化 符号化 中国 文学研究 

分 类 号：I207.42[文学—中国文学]