反思二十世纪新诗发展的曲折历程  

Reflections on the Development of the 20th Century New Poetry

作　　者：章亚昕[1] 

机构地区：[1]山东大学文学院,250100

出　　处：《文艺研究》2005年第8期48-54,共7页Literature & Art Studies

摘　　要：回顾中国新诗发展史,其行程中的转向频率,其进展与社会预期的差距,均属始料未及。论及20世纪新诗发展的曲折性问题,要从“长时段”角度分析新诗与旧诗的差异所在,从“中时段”角度探究新诗承载的文化精神,从“短时段”角度分析新诗文体的演化历程。本文认为,在新诗发展的历程中文化因素和文体因素几乎同等重要,但是人们往往重视前者而忽视后者,结果未能形成读者喜闻乐见的文体形式,也造成了新诗发展的曲折性。In the history of the Chinese New Poetry, we find that quite unexpected are the frequency of shifts and the distance between expectations and their fulfillment. Discussions on the vicissitude of 20th century New Poetry should be based first on “long periodization” which analyzes the difference between the new and the old, then, on “middle periodization” which explores the cultural spirit loaded in the New Poetry, and finally, on “short periodization” which analyzes the evolution of the styles of the New Poetry. The author argues that both cultural and stylistic elements are almost equally important in the course of its development, but people quite often prefer the former to the latter, resulting in the fact that no popular stylistic structure came into being and therefore the faltering of its development.

关 键 词：二十世纪 新诗 中国 文学研究 文体形式 

分 类 号：I207.25[文学—中国文学]