《丘园记》与后印象主义  

Kew Gardens and Post-impressionism

作　　者：吴之昕[1] 

机构地区：[1]东南大学外语系,江苏南京210096

出　　处：《皖西学院学报》2005年第4期106-108,共3页Journal of West Anhui University

摘　　要：本文主要将《丘园记》同梵.高的部分作品进行比较,评述《丘园记》体现的后印象主义风格。《丘园记》中,弗吉尼亚.伍尔夫以细腻的文笔,大胆的色彩对比,展现在人们面前的宛如一幅后印象主义油画,表达了伍尔夫对大自然的热爱。《丘园记》中,伍尔夫以丘园为背景,一只蜗牛为线索,四组人物的故事片断为情节完成了一组既联系又独立的画面,而这些充满象征意义的画面则表达了她的内心世界。弗吉尼亚.伍尔夫虽然出身上层社会,却具有一定的社会意识和民主意识。她在《丘园记》中对上层社会的虚伪进行讽刺,同时对处在社会下层的小人物给与同情。这些都使《丘园记》不论从形式上,还是从内容上,都具备了一定的后印象主义特征。This article makes a comparison and contrast between Kew Gardens and some of Van Gogh＇s paintings,and discusses post-impressionism reflected in New Gardens. In Kew Gardens, Virginia Woolf, with detailed writing and sharp contrast of colour, shows people a painting of post-impressionism and reflects her love of nature. In Kew Gardens, Virginia Woolf paints a set of related and also independent pictures with Kew Gardens as the background,a snail as the clue and the stories of four groups of people as the plot,and these symbolic pictures also show her inner mind. In Kew Gardens,Virginia Woolf satirizes the hypocritical upperclass and sympathizes people in lower class. These give Kew Gardens the features of post-impressionism in both the structures and contents.

关 键 词：后印象主义 梵·高 色彩对比 象征 

分 类 号：I561.074[文学—其他各国文学]