屠隆对七子派格调理论的发展和突破  

Tu Long's Development and Breakthrough in the Theory of Style by "Seven-Scholar School"

作　　者：刘德重[1] 李敏[1] 

机构地区：[1]上海大学文学院,上海200444

出　　处：《上海大学学报（社会科学版）》2005年第5期90-94,共5页Journal of Shanghai University(Social Sciences Edition)

摘　　要：明代万历年间,七子派格调理论的流弊日趋明显,加上晚明心学思潮兴起,个性解放思潮蓬勃发展,以及公安派对格调理论的猛烈攻击,七子派成员也不断地对格调理论进行修正和发展。属于七子派成员“末五子”之一的屠隆在诗歌评价标准、重视创作主体性、提倡诗歌风格多样性等方面,对七子派格调理论作了重大的发展和突破。During the period of Wan Li in the Ming dynasty, with the “seven-scholar school” theory of style to show its malpractice, the “mind studies” rose and the liberation of individual personality eame into fashion. Faeing the fierce attack by the “Gong An sehool”, the members of “seven-scholar school” began to modify their own theory of style. And Tu Long, as a minor member of the “seven-scholar school”, made a big breakthrough both in the eriteria of criticism and in the subjectivity and diversity of poetic composition.

关 键 词：屠隆 诗论 格调理论 

分 类 号：I206.09[文学—中国文学]