论莫里森三部曲小说的模糊叙事  

On the Ambiguous Narrating in Morrison's Trilogy

作　　者：关丽君[1] 

机构地区：[1]辽宁大学外国语学院,辽宁辽阳111000

出　　处：《沈阳大学学报》2005年第1期85-88,共4页

摘　　要：分析了美国黑人女作家托尼·莫里森在爱的三部曲小说中,反复使用的模糊叙事手法。认为模糊叙事既是莫里森对黑人传统文化理念的继承和发扬,也是她对现代以读者为中心的创作思想的实践。介绍了莫里森通过人物身份的不确定性、开放式结尾和多种声音叙事等方法达到叙述的模糊效果,同时也激发了读者参与阅读的热情。Through uncertain identity of the characters, open endings and multiple narrative voices, Toni Morrison achieved ambiguous effect in narrating and aroused the enthusiasm of participatory reading of the readers. The technique of ambiguous narrating that Morrison used in the trilogy is analyzed. Ambiguous narrating shows not only Morrison＇s inheriting and developing of African-American cultural ideas but also her practice of the modern composing theory, which centers on the readers.

关 键 词：爱的三部曲 模糊叙事 人物身份 故事情节 叙事声音 参与性阅读 

分 类 号：I106.4[文学—世界文学]