略论晚唐艳体诗的兴盛  

A brief discussion on prevalence of love-style poem in late tang dynasty

作　　者：张爱军[1] 

机构地区：[1]河北能源职业技术学院,河北唐山063000

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2005年第5期87-89,共3页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：晚唐咸通之后,艳情诗风靡一时。一方面,诗人们为避世和解忧而把心灵的寄托转向歌楼舞榭,在苦闷的心理中寻求感官的刺激以为排遣,抒写风流缱绻的艳诗。另外一方面,社会风气极度腐化,士风放诞无禁。艳诗的倡行其道就是受到这一时期流连声色、纵情逸乐的时风的影响。最后,晚唐时期功利注意文学退潮,代之而起的是重视表达个人的内心世界,由言经世之志转向缘个人之情。失去了诗教势力的管束,艳诗在晚唐故能倡行其道。After Xiantong of the late Tang dynasty, love poems in flowery became fashionable for a while. On one hand, the poets turned their spiritual sustenance to the halls for the performance of songs and dances for escaping from reality and allaying sorrows, they can seek sensual stimulations in their depressed mentality to divert themselves from loneliness or boredom, so they began to express romantic and tender love poems in flowery in writing. On the other hand, the social morale was critically degenerate, and the conduct of scholar—officials was unrestrained and wild in speech and behavior. The rampant love—style poems in flowery were just influenced by the moods of the times of lingering on music and women and indulging themselves in comfort and pleasure. Lastly, the utilitarianism literature in the late Tang Dynasty was ebbing, while another kind of poem replaced it gradually. This kind of poem emphasized on expressing one＇s inner world, and turned talking his ambition to meeting his emotion. Because of getting out of the control of forces of poem education, love—style poems in flowery were booming up day by day.

关 键 词：晚唐 艳体诗 兴盛 

分 类 号：I206.2[文学—中国文学]