后现代时期语境下的中国画  

Chinese painting in the post modernism

作　　者：宋眉[1] 

机构地区：[1]浙江科技学院艺术设计学院,浙江杭州310023

出　　处：《浙江科技学院学报》2005年第3期209-211,共3页Journal of Zhejiang University of Science and Technology

摘　　要：作为中国传统绘画的中国画,20世纪以来一直在古与今、中与西之间寻求出路,其发展历程之曲折,显示出中国画革新的艰难。中国画进入后现代时期,需要我们重振精英精神,坚持艺术的自律性和创造性,同时还要重视传统作为文化策略的重要意义。当前,我们需要把握住时代的内涵和新的文化生长点,挖掘中国画的传统精髓,追求意境,努力实现传统的现代化。As the Chinese traditional art, Chinese painting has been exploring between the past and nowadays, China and the West since 20^th century. This process is so diswimmy and shows how difficult the exploration is. In the post modern times of Chinese painting, we must build up high spirit again, keep up creativity freedom and take high sight on our tradition so much as a cultural strategy. Now, we need to catch on the property of modern time and new spring spot of culture, figure our central intention of Chinese painting, pursue the work of art and modernize our tradition.

关 键 词：中国画 精英艺术 现代化 意象语言 意境 

分 类 号：J212[艺术—美术]