类后现代叙事与20世纪90年代女性“个人化写作”  

Explaining Similar Postmodern Narrative and the Feminism "Personal Composing" in 90 Ages of 20th Century

作　　者：张立群[1] 王瑾[2] 

机构地区：[1]首都师范大学,北京100089 [2]北京师范大学,北京100875

出　　处：《南都学坛（南阳师范学院人文社会科学学报）》2005年第5期54-59,共6页Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University

摘　　要：20世纪90年代女性“个人化写作”是中国当代小说中较为独特的文本之一,按照叙事学的理论,其主要表征是使用后现代的叙事策略与方法。然而,由于这种后现代手法是通过借鉴与模仿而完成的,因此,其实质应当是一种文本上的“类后现代”叙事,这种“类后现代”叙事具有反权威、拆解二元对立模式的倾向,采取“躯体描写”和“姐妹情谊”的文本策略来展示其叙事观念。在艺术上表现为对元小说的应用、破碎结构的采用和对独特语言的使用。虽然20世纪90年代女性“个人写作”在一定程度上引起了中国女性写作在文本叙述上的变革,但也存有自身的精神困境并因此走向了尽头。对此种现象我们应反思。Feminism ＂personal composing＂ in 90 ages of 20th century is the particular narrative text of the Chinege contemporary novel. According to the narrative theory, its main character just uses the postmodern method in the narrative course. However,the method appears by imitating and knocking together, therefore, it is the ＂similar postmodern＂ narrative in fact. Then,does the ＂similar postmodern＂ narrative of feminism ＂personal composing＂ in 90 ages of 20th century have any character？ how is its theory and development direction in the future？ The author probes into it in four main aspects of its circumstance and historic course, narrative concept, narrative tactics, assessment and future.

关 键 词：20世纪90年代 女性“个人化写作” “类后现代” 叙事 

分 类 号：I207.67[文学—中国文学]