皮日休及第前后思想和创作特色及原因  

Pi Rexiu's Creative Styles Around His Pass of the Imperial Examination

作　　者：亢巧霞[1] 吴在庆[2] 

机构地区：[1]厦门大学历史系,福建厦门361005 [2]厦门大学中文系,福建厦门361005

出　　处：《厦门大学学报（哲学社会科学版）》2005年第5期55-60,共6页Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)

基　　金：教育部社会科学基金项目(JAP750.11-44023)

摘　　要：皮日休的创作以咸通八年进士及第为界,呈现出两种不同的风格。前期行卷之作《皮子文薮》较多刺世讽时;及第后吴中唱和之作《松陵集》多表现个人生活。艺术表现的不同目的与需要、诗人思想性格的转变、社会生活环境的变更与传统的汇融等,都在一定程度上影响了诗人的创作。Pi Rixiu＇ s poetry presented different styles before and after he had passed the imperial examinations in 887 AD. While his Pizi Wensou was rather socially ironic ;Tne Collection of Songling was more of a personal mood. The different styles in his poetry are more or less influenced by the poet＇ s pursuit of and needs for expression, the change of his ideas and living environments and the acceptance of tradition.

关 键 词：皮日休 晚唐诗 行卷 唱和 

分 类 号：I206.5[文学—中国文学]