先秦仪式展演与赋体的生成——对赋体形成过程的发生学考察  

The Ritual Display of Pre-Qin Period and the Generation of the Style of Fu——An Ontological Study of the Formation of the Style of Fu

作　　者：韩高年[1] 

机构地区：[1]西北师范大学文学院,甘肃兰州730070

出　　处：《求是学刊》2005年第5期84-87,共4页Seeking Truth

基　　金：国家社科基金西部项目"礼俗仪式与先秦诗歌演变研究"(04XZW001)阶段性成果

摘　　要：从发生学角度考察,赋的最基本的文体要素“铺陈物类”和“不歌而诵”都起源于远古祭神仪式上巫祝铺陈祭品的言语活动。西周及春秋时代,随着巫祝官守演为世卿大夫政治,“登高能赋”、“赋诗专对”、“不歌而诵”也成为卿大夫的文化人格和行为艺术。战国之“士”,以道自任,因为“言之无文,行而不远”,故士以口诵述其道,以铺张扬厉论其术,最终形成文体的赋。From the ontological perspective, the basic stylistic elements of Fu originate from the speech act oi the wizard＇s sacrificial rites in the ancient times, for instance, the “display of things” and “narration without a cho-res”. In West-Zhou Dynasty and the Spring and Autumn Period, wizard officials keep the display for the senior officials for the sake of politics, and those senior officials also adopt cultural qualities and performance art, for example, “ascend a height to perform Fun”,“specialized Fu in answer to others”, and “narration without a chorus”. Those noncommissioned officers of the Warring States have truth as their responsibilities, because “if what you said is not graceful, it can not be spread.” So these officers narrate their troth in oral form, and display their skills by describing in great length. Thus all these lead up to the formation of the style of fu.

关 键 词：赋 文体 “铺陈物类” “不歌而诵” 仪式 发生学 

分 类 号：I206.2[文学—中国文学]