论海特维格之死:对《野鸭》的伦理学解读  

On the Death of Hedvig: An Ethical Interpretation of The Wild Duck

作　　者：段汉武[1] 

机构地区：[1]浙江大学人文学院

出　　处：《外国文学研究》2005年第5期45-50,共6页Foreign Literature Studies

摘　　要：从主题内容与表现手法上来看,《野鸭》是易卜生的戏剧创作从第二阶段到第三阶段过渡时期的作品,其中所蕴涵的“多重代码”,使读者或观众能够选择不同阅读策略,从多个视角进行解读与诠释。立足康德、石里克、韦伯等构建的责任道德伦理,以《野鸭》为个案,全新分析和阐释海特维格自杀这一作品中最富于悲剧性的事件,可以认为正是她生父老威利、养父雅尔马与同父异母的哥哥———格瑞格斯不负责任的行为才导致了这人间悲剧。《野鸭》以海特维格之死换得了雅尔马和基纳矛盾的和解而拉上了帷幕,一种喜剧般的形式消解了剧本中所体现出的悲剧主题。In light of its themes and writing techniques, The Wild Duck by Ibsen can be considered a drama between his second period and third period. The multiple codes it carries can lead the reader or audience to interpretations and analyses of the drama from different angles. Based on the theories of responsibility proposed respectively by Kant, Schlick, and Weber, this paper attempts to identify who should be responsible for Hedvig' s suicide. The death of Hedvig leads to the reconciliation between Hjalmar and his wife. Thus, the tragic theme reflected in the drama has been deconstructed by the comic factor.

关 键 词：海特维格 《野鸭》 悲剧 责任 伦理 野鸭 解读 伦理学 不负责任 表现手法 

分 类 号：I53[文学—其他各国文学]