论《青年艺术家的肖像》中的美学追求  

Joyce’s Aesthetic Pursuit Reflected in A Portrait of the Artist as a Young Man

作　　者：李汝成[1] 

机构地区：[1]上海大学外语学院英语系

出　　处：《外国文学研究》2005年第5期91-96,共6页Foreign Literature Studies

摘　　要：乔伊斯的主要美学思想和艺术追求是通过小说《青年艺术家的肖像》中人物的对话表达出来的,概括起来有五个方面:艺术的“静态平衡”原则;艺术本质论;“非个性化”和“作家退出小说”理论;艺术美的三个特征:“完整”、“和谐”、“光彩”;艺术的三种形式:“抒情的”、“史诗的”、“戏剧的”。其中,“非个性化”和“作家退出小说”是乔伊斯美学思想的核心,这是他对传统的小说理论的反拨和颠覆,也是他对英国现代主义小说理论的重大贡献。像《青年艺术家的肖像》一样,乔伊斯的美学思想也是传统和现代兼有,既有对传统小说理论的继承,又有对传统小说理论的超越,而他美学思想的现代性和价值都体现在这超越里。Joyce's aesthetic pursuit reflected in A Portrait of the Artist as a Young Man can be summed up as follows: the principle of stasis; the nature of art; 'impersonality' and 'the author' s withdrawal from the novel'; three characteristics of the artistic beauty: 'wholeness', 'harmony', 'radiance'; three forms of art: 'the lyrical form', 'the epical form', 'the dramatic form'. His theory of 'impersonality', the core of his aesthetic theory, retorts and overturns the traditional theories, but is also his contribution to the theories of English modernist novels. Joyce's aesthetics not only inherits the quintessence of classical theories, but also transcends them. The modernity and the value of his aesthetics do lie in his transcendence.

关 键 词：乔伊斯《青年艺术家的肖像》 美学追求 非个性化 《青年艺术家的肖像》 小说理论 美学思想 现代主义 乔伊斯 静态平衡 “和谐” 

分 类 号：I562[文学—其他各国文学]