从《四艳记》看晚明才子佳人戏曲的基本走向  

Seen from"the stories of four beauties "will it be later period Ming Dynasty gifted scholar and beautiful woman basic trend of drama

作　　者：傅湘龙[1] 

机构地区：[1]湖南师范大学文学院中文系,湖南长沙410081

出　　处：《中国文学研究》2005年第4期94-97,共4页Research of Chinese Literature

摘　　要：才子佳人戏曲的发展模式在晚明实现了某些突破,《四艳记》就是通过“传诗递简”、“幽期密约”的缩减与在“好事多磨”过程的增强来率先完成的,并成为一时创作的典范文本。而它的问世也深深地打上了当时文化思潮、社会风尚的烙印。In the late of Ming Dynasty, the development pattern of the ifted scholars and beautiful ladies of drama realized some break - throughs. The tories of four beauties finish at first through reduction on “the transmission of poem ”, “the meeting secretly and enhancement on”the couse that the realization of goog things is usually preceded by rough goings, therefore, it become the model text reated for the moment its appearance has been made and gone to the cultural doological trend , brand of the social morals at that time deeply too.

关 键 词：四艳记 晚明 才子佳人戏曲 基本走向 

分 类 号：I207.2[文学—中国文学]