从《望江亭》、《赵氏孤儿》试探元杂剧之“发现”艺术  

On the Art of "Discovery" in the Yuanqu Opera from Wangjiang Pavilion and Zhaos' Orphans

作　　者：胡健生[1] 

机构地区：[1]广东商学院人文与传播学院,广东广州510646

出　　处：《艺术百家》2005年第6期19-22,35,共5页Hundred Schools In Arts

摘　　要：“发现”是亚理斯多德在其理论性巨著《诗学》中总结和概括出的古希腊戏剧家在安排情节、结构布局方面成功使用的一种独特技巧、手法。那么,“发现”在元杂剧中是否同样存在呢?以亚氏有关“发现”的论述为理论依托,从具体分析《望江亭》、《赵氏孤儿》为切入点,就这一问题可以进行一次饶有趣味的探究。＂Discovery＂ is a unique technique, with which dramatists in ancient Greece succeeded in arranging plots and structure, summarized by Aristotle in his great theoretical work Poetics. Then, does ＂discovery＂ also exist in the Yuanqu opera？ Based on Aristotleb theory and analyzing Wangjiang Pavilion and Zhaos＇Orphans, this problem can be studied with great interest.

关 键 词：《诗学》 “发现”艺术 元杂剧 《望江亭》 《赵氏孤儿》 

分 类 号：J802[艺术—戏剧戏曲]