苍凉的欢愉——评赖少其80岁后的作品  

Bleak Pleasance——On Lai Shaoqi's Works after His 80th Birthday

作　　者：梅墨生[1] 

机构地区：[1]中国画研究院,北京100044

出　　处：《合肥学院学报（社会科学版）》2005年第4期1-3,共3页Journal of Hefei University:Social Sciences

摘　　要：中西文化的碰撞,为20世纪的中国画坛平添了诸多扑朔迷离的景象,也为俯仰于这一背景下的无数个体的艺术生命带来了重重疑惑和困扰。赖少其以其特殊的革命经历、独特的文化积累,在自然生命行将停止运行的关键时期凸显了其艺术生命中最本质、最原始、最朴素、最真挚和最纯净的精神境象,真正实现了中国画由传统向现代的转换过程,从而为20世纪的中国画坛绽放了一枝奇瑰的花朵。Clashes between Chinese and Western cultures add to the complication and confusion of China＇s painting circle and bring quite a lot of puzzles and doubts to the artistic life of the incalculable artists struggling in such a context. Based on his special revolutionary experience and his unique cultural accumulation, Lai Shaoqi exhibits the most essential, the most original, the simplest, sincerest and purest spirit and image of his artistic life as his natural life approaches the very end. He has realized the transition from the traditional stage to a modern era of Chinese painting and emerged as a rare and magnificent flower in the 20th century Chinese painting circle.

关 键 词：赖少其 超越性 传统的现代阐释 境象扩展 

分 类 号：J203[艺术—美术]