郭茂倩的声诗观与《乐府诗集》的编纂  

Guo Maoqian's Notion of Musical Poem and the Compilation of Collection of Folk Songs and Ballads

作　　者：杨晓霭[1] 

机构地区：[1]西北师范大学文学院,甘肃兰州730070

出　　处：《西北师大学报（社会科学版）》2006年第1期26-31,共6页Journal of Northwest Normal University(Social Sciences)

基　　金：国家社会科学基金资助项目(03BZW036)

摘　　要：郭茂倩编辑《乐府诗集》,从音乐性质、社会功能诸方面考虑了“乐府诗”的特征,而“声诗”概念的运用,反映出他所认同的乐府诗主要体现了三方面的特点:从入乐方式看,“先有诗然后被于声而播金石”;就“诗”之内容看,皆“诗人六义之余”;由应用功能看,大多服务于祭祀、宴享、行军等仪式。他不将当时最为流行的“由乐定词”、“依声填词”的“乐府”录入《乐府诗集》的事实,则从另一侧面说明了他的基本编纂宗旨,也表现了南北宋之交文人士大夫力求维护和恢复诗乐传统,“务尊其体”的诗家立场。Guo Maoqian compiled Collection of Folk Songs and Ballads, which considered the characteristic of Folk Songs and Ballads from the aspects of the musical property and the social function. Using the concept of “Musical Poem” reflected that his favourite folk songs and ballads mainly showed the three features, from the manner of setting poems to music, the poem was finished before setting music to it and then performed with musical instruments; from the content of poems, it adopted all the other meanings except “Six Categories”; from the application function, most of them served the sacrifice, feast march and the ceremonies. The fact that he didn＇t collect the most popular folk songs and ballads into Collection of Folk Songs and Ballads, showed the essential purpose and also indicated the poet standpoint to maintain and restore the poem system and respect the poem during the southern and northern Song Dynasty.

关 键 词：郭茂倩 声诗观 《乐府诗集》 

分 类 号：I206.2[文学—中国文学]