论古代百越及其后裔民族的纹身艺术  

On the Aart of Tattoo of Baiyue and Its Descendent Ethnic in the Ancient Times

作　　者：林琳[1] 

机构地区：[1]广西民族学院,教授南宁530006

出　　处：《广西民族研究》2005年第4期141-149,共9页GUANGXI ETHNIC STUDIES

摘　　要：纹身是古代百越及其后裔民族心理特征的一种外在表现和社会意识形态的一个独特的审美范畴,寓含着丰富多彩的内涵和深刻的文化意蕴,孕育出很多与纹身相关的风俗文化事象。从古代美学的角度来看,纹身是一种特殊的人体装饰艺术形式,是古代民族艺术发展史上的奇葩。本文多层次、多角度地深入考证和探究了古代百越及其后裔民族纹身艺术产生、发展的历史过程和主要原因。The art of tattoo was the expression of its psychological character and umque aestneuc oi social ideology of Baiyue and its descendents, which holds the varied and colorful connotation and the in - depth cultural implication, containing cultural phenomenon correlated with the custom of tattoo. Looked from the ancient times esthetics angle that, the art of tattoo was one kind of special artistic form of human body decoration, which was a wonder in the art history in the ancient times. This article, through multi - level and perspectives, reshed and inquired into the ancient times Baiyue and its descendant tattoo art, which focused on the historical process and the main reason of the appearance of tattoo.

关 键 词：百越 后裔民族 纹身艺术 

分 类 号：C95[社会学—民族学]