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作 者:刘迎秋[1]
机构地区:[1]山东理工大学学报〈社科版〉编辑部,山东淄博255049
出 处:《山东理工大学学报(社会科学版)》2005年第6期64-68,共5页Journal of Shandong University of Technology(Social Sciences Edition)
基 金:本文为2003年山东省社科规划研究重点项目新时期山东小说的流变与传统文化(03BYZ11)的相关成果
摘 要:新生代作家崛起于20世纪90年代的社会转型时期,叙事法则的个人化是其共同的追求。在这个写作风格驳杂的群体中,山东新生代与外省新生代有着较为明显的差异,主要表现为:(1)写作立场的不同观照。外省新生代小说美学立场多姿多彩;而山东新生代在写作立场上则有着相近的取向,他们视文学为精神寄托,对文学怀有不可随意把玩与亵渎的神圣理念。(2)言说主题的不同取向。外省新生代热衷于表现城市生活,城市生活在他们笔下暴露出了某种内在的空虚和困顿;山东新生代则主要关注乡村生活,表现普通人物,其地域情愫较为浓重。(3)文本风格的叙述差别。山东新生代文本风格没有叛逆性和躁动感,其显著特征是内敛,对生活的敲打、对人性的开掘、对时代的反思是在克制着的文字与情感下展开的。New generation writers grow up in the 1990s, a time of social transform. The individualism of narration rules is their common goal. In this group of various writing styles, Shandong new generation writers show obvious differences compared with those in other provinces. The first is different writing point of view. Other new generation writers usually take aesthetic point of view while Shandong writers take similar one that they regard literature as spiritual bailment and show sacred notion towards it. The second is different topics. Other new generation writers usually choose city life as their topic and show certain inner emptiness and confusion while those in Shandong pay more attention to country life and describe ordinary people. Locality is quite strong. The last is different narrating styles. The style of Shandong new generation writers is connotative without treachery and restlessness. Controlled words and emotion distribute writers' pondering of life, humanity and the time.
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