超越有限的图腾——论李白《大鹏赋》与庄子《逍遥游》的继承关系  

Beyond Limited Totem—On Inheritance Relationship between LI Bais (Li Pos) "Ode on Roc" and Zhuang Tsus "A Leisurely Tour"

作　　者：张瑞君[1] 

机构地区：[1]太原师范学院文学院,山西太原030012

出　　处：《太原师范学院学报（社会科学版）》2005年第4期69-71,共3页Journal of Taiyuan Normal University:Social Science Edition

基　　金：国家社会科学基金项目:<李白的精神与艺术世界新探>(05BZW019)

摘　　要：《大鹏赋》是李白超越有限的精神图腾,他在大鹏的现象中寄寓了自己的自由理想。这篇赋受庄子《逍遥游》的影响明显。但二者又有很大的不同:一为哲学论文,一为文学作品;大鹏不是庄子的理想人格而为李白的理想人格。Beyond the limitations is LI Bai＇s （Li Po＇s） spiritual totem, “Ode on Roc” in which he places his ideal of freedom on the image of the roc. This ode was obviously influenced by Zhuang Tsu＇s “A Leisurely Tour”. However, there are prodigious differences between the two. The former is a literary work, while the latter is a philosophical thesis. Furthermore, the roc represents LI Bai＇s （Li Po＇s） ideal personality rather than that of Zhuang Tsu.

关 键 词：李白 庄子 《大鹏赋》 《逍遥游》 中国 文学研究 

分 类 号：I206.2[文学—中国文学]