论郁达夫与日本“私小说”  

YU Da-fu and Japanese "I-novel"

作　　者：顾国柱[1] 

机构地区：[1]上海财经大学人文学院,上海200433

出　　处：《上海财经大学学报》2005年第6期74-80,共7页Journal of Shanghai University of Finance and Economics

摘　　要：本文探讨郁达夫小说的创作个性、艺术风格与日本自然主义文学运动特别是“私小说”之间的关系。由于生活时代、个人遭遇、本身气质、学习环境与“五四”文学革命等原因,郁达夫接受了日本“私小说”。它具体表现在汲取“私小说”以身边事为题材,艺术地再现自我,具有强烈的“自叙”色彩;不着眼于外部事件的描写,而重在刻画心境,具有强烈的抒情格调。但两者在本质上有着很大的不同,日本“私小说”回避现实矛盾、脱离社会生活,而郁达夫小说中个人痛苦的诉说,概括了社会的痛苦,他加入了反帝反封建的时代大合唱。This article mainly discusses about the relationship between the individual characteristic creation, artistic style and the literature of Japanese Naturalism, especially the “I-novel”. YU Da-fu accepted the Japanese “I-novel due to many reasons such as the era he lived in, personal experiences, his own character and mold, the study Environment and the ” May 4th revolution in Chinese literature. His novels assimilated the“I-noel” writing style which selected the themes from ordinary things that would happen to everyone; reproduced an “I” by artistic techniques; had the obvious peculiarity of autobiography and had a strong sense of lyricism, putting great emphasis on depicting the frame of mind, rather than descri- bing external affairs. However, there are great differences between the “l-novels” and Yu＇s works. The former headed in the sand just like the ostrich, evading the real social life; while in the novels written by Yu Dafu, the social suffering was generalized by the recounting of individual agony and the anti-imperialist and anti-feudal theme was intensified.

关 键 词：郁达夫 日本“私小说” 自叙色彩 抒情格调 时代大合唱 

分 类 号：I207.4[文学—中国文学]